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For Højt, For Vildt og For Meget! [2025]
1 fl, 1 ob, 1 cl, 1 bsn, 1 tpt/flug, 1 timp, 2 perc, 1pno, 1 sop, 1vln, 1vla, 1 vcl, 1 cb, Ballet Duration: 50’ Music composed by Cæcilie Trier & Greta Eacott || Libretto by Thomas Korsgaard || Directed & choreographed by Sebastian Kloborg || Conducted by Matt Scott Rogers || Premiered at Gamle Scene, The Royal Danish Theatre February 2025 [DK] 
(For Højt, For Vildt og For Meget! Photo by Maria Albrechtsen Mortensen)
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The Hug [2024] for 3 performers, foil shirts and wireless contact mics Duration: 8’ Music composed by Greta Eacott || Premiered by Ensemble Kompopolex [PL] at Heroines of Sound Festival 2024, Radialsystem Berlin [DE] -------------------------------------------------------------------------------------------------------------
Space(s) Between [2023] for six Bb clarinets & fixed amplification Music composed by Greta Eacott || Premiered by Copenhagen Clarinet Choir at KLANG Festival, Copenhagen [DK] 
(Excerpts from the score of Space(s) Between for six Bb clarinets)
(Copenhagen Clarinet Choir performing Space(s) Between at KLANG Festival 2023)
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Gestalt Minimal; III [2020/2023] for chamber orchestra [perc, 2 sop, vln, vla, vla, vla, vcl, vcl, db] Duration: 22’20”’ OR 8' (radio edit) Music composed by Greta Eacott || Premiered by Damkapellet and featured on their debut album 'Demiurge' released on DaCapo Records. -------------------------------------------------------------------------------------------------------------
GESTALT MINIMAL; V [2022] for solo organ Duration 9'00" Music composed by Greta Eacott || Premiered by Christian Balvig recording score published by Edition·S -------------------------------------------------------------------------------------------------------------
Häxan [1922· 2022] The silent film by Benjamin Christensen from 1922, with a new soundtrack by Greta Eacott & J.S.D. Engdahl. Premiered 06-11-2022 at Cinemateket, Copenhagen in collaboration with SF Studios and Danish Film Institute for the 100th year anniversary celebration of the film. 
(Image © SF Studios and Danish Film Institute)
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DIE NEUE MUSIK FÜR BAĞLAMA UND SCHLAGZEUG - 'LANGSAM' [2021] for bağlama, percussion & electronics Duration: 3'20" Music composed by Greta Eacott|| Performed by Derya Yıldırım - bağlama, Tobias Levin - electronics & Greta Eacott - roto toms & bass drum recording -------------------------------------------------------------------------------------------------------------
GESTALT MINIMAL; II for strings (1 vln, 1 vla, 2 vcl, 2cb) Music composed by Greta Eacott || Recording produced by Aase Nielsen, and released on the record 'GESTALT MINIMAL; The Love Songs'. -------------------------------------------------------------------------------------------------------------
Stuck [2021] for solo percussion [marimba, foil, bass drum & mixed perc] Duration: 20'00" Music composed and performed by Greta Eacott || Recorded at Brønshøj Vandtårn by Troels D Holm || Released as a split LP with Yngel, on One Take Records album -------------------------------------------------------------------------------------------------------------
Rok Fluid [2019] for six percussionists Duration: c. 4' Music composed by Greta Eacott. Performed by the G·Bop Orchestra on the album Pile Up || Released on One Take Records -------------------------------------------------------------------------------------------------------------
GESTALT MINIMAL; IV [2019] for choir, minimum of 16 voices* Duration: c. 10'00" Music composed by Greta Eacott || Premiered by Musarc Choir [UK], at STUK Leuven [BE] recording score published by Edition·S (*must be an even number of players) -------------------------------------------------------------------------------------------------------------
Breathing Exercise [2018] for any number of people - no previous experience required Duration: variable from the work 'Blank Slate'. A multi-movement commission for New Maker Ensemble. || Premiered in Madeira, Portugal score published by Edition·S -------------------------------------------------------------------------------------------------------------
START/STOP [2018] structure for improvisation for any number of people/instruments* duration: variable recording by G·Bop Orchestra *no previous experience required! 
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GESTALT MINIMAL; I [2017] for woodwind & brass duration: 9'00" recording -------------------------------------------------------------------------------------------------------------
Space(s) Between [2017] for six percussionists & lighting premiered by G·Bop Orchestra (six drummer formation) at Copenhagen Jazz Festival 2017 WRITING / OTHER
Rhythm Zine - Sculptors In Space-Time Curated by Greta Eacott and Anders Bach Published by Passive/Aggressive || With contributions from drummers, percussionists and artists including: Oliver Laumann · Lisbeth Diers ·Ying-Hsueh Chen · Drummesses · Søren Hoi · Kresten Osgood · Szymon Gąsiorek · Anja Jacobsen · Rasmus Littauer · Jaleh Negari · Kristian Poulsen · Rune Lohse · Kristoffer Raasted ·Lasse Munk · N.E. Girl · Petra Skibsted. 
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Greta Eacott - Rhythm'n'Pleasure [2019] A4 double sided pamphlet, self published 
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Greta Eacott - The Politics of Rhythm (II) - Magazine launch, & irrational rhythms dungeon installation Inter-Arts Centre Malmo [SW] 
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10BPM DANCE CLUB [2018] Instigator / curator An international open call for 10BPM dance music || compilation released on tape via Passive/Aggressive 
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Greta Eacott - The Politics of Rhythm; Foundations For A Space-Based Aesthetic [2016] Set of two books, self published ------------------------------------------------------------------------------------------------------------- Greta Eacott - Arriving on The Same Page; Toru Takemitsu, John Cage and The Concept of Ma [2013] Book, 36 pages. Self published During the 1960s, an interest in Eastern philosophy occurred amongst two schools of avant garde composers. In New York, John Cage's study of Zen was seen at the forefront of the zen-boom and in Tokyo, Toru Takemitsu was a prominent figure drawing on ideas from Japanese aesthetics as part of a scene that became know as the hogakki-boom. The Japanese aesthetic concept of space-time 'ma' can be seen as exemplifying characteristics that caught the interest of both composers during these simultaneously occuring booms. 
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